R. Gapper Book Prize

The Society for French Studies is delighted to announce that the winner of the R. Gapper Book Prize 2023 is Nikolaj Lübecker, for Twenty-First-Century Symbolism (Liverpool University Press). This was a unanimous decision and the jury agreed on the following statement about the book:

Twenty-First-Century Symbolism offers a series of powerful close readings of selected texts by Verlaine, Baudelaire and Mallarmé as part of a remarkable philosophical and poetic response to the current challenges and realities of the technological age. It demonstrates an impeccable knowledge and understanding of twentieth and early twenty-first century philosophy and critical theory, drawing on (with the lightest of touches) affect theory, ecocriticism, technology studies, media theory, theories of cognition and embodiment, art history, philosophy, cybernetics and gaming. The jury agreed that this book is a model for trans-disciplinary scholarship. It revisits these three poets and asks ‘what they can do for us’ today, reading them against the grain of conventional readings and boldly casting new light on how we are impacted by them.

The Society congratulates the authors of the four volumes below, which were also shortlisted:

Jane Hiddleston, Frantz Fanon: Literature and Invention (Legenda)

Charlotte Faucher, Propaganda, Gender, and Cultural Power: Projections and Perceptions of France in Britain c1880-1944 (Oxford University Press)

Eric Robertson, Blaise Cendrars: The Invention of Life (Reaktion)

Joseph Harris, Misanthropy in the Age of Reason: Hating Humanity from Shakespeare to Schiller (Oxford University Press)

Winner: Nikolaj Lübecker

The Society for French Studies is delighted to announce that the winner of the R. Gapper Book Prize 2022 is Maeve McCusker for Fictions of Whiteness. Imagining the Planter Caste in the French Caribbean Novel (Virginia UP). We are delighted that this outstanding, original book is the R. Gapper Prize winner for 2022.

We offer our warmest congratulations to the authors of the following shortlisted books:

Alice Blackhurst, Luxury, Sensation and the Moving Image (Legenda)

Adam Horsley, Libertines and the Law. Subversive Authors and Criminal Justice in Early Seventeenth-Century France (Oxford UP)

Edward J. Hughes, Egalitarian Strangeness. On Class Disturbance and Levelling in Modern and Contemporary French Fiction (Liverpool UP)

Shuangyi Li, Travel, Translation and Transmedia Aesthetics. Franco-Chinese Literature and Visual Arts in a Global Age (Palgrave Macmillan)

Maeve McCusker, Fictions of Whiteness. Imagining the Planter Caste in the French Caribbean Novel (Virginia UP)

Roger Pearson, The Beauty of Baudelaire (Oxford UP)

Macs Smith, Paris and the Parasite. Noise, Health, and Politics in the Media City (MIT Press)

Winner: Maeve McCusker

R. Gapper Book Prize 2021 Competition Results

The Society for French Studies is delighted to announce that the R. Gapper Book Prize for the best book in French Studies published in 2020 is jointly awarded to the following outstanding books:

Colourworks. Chromatic Innovation in Modern French Poetry and Art Writing by Susan Harrow (Bloomsbury)

“This is a bold and intellectually ambitious project both in its scale but also in its agenda of bringing colour studies to the fore. Stimulating, convincing and supremely crafted, Harrow takes three key poets of French modernism — Mallarmé, Valéry and Bonnefoy — and reads their poetry and art writing on art from the Renaissance to the 20th century through the optics of colour. Harrow brings her own creativity to play in working with complex ideas, dense poetic texts and art writings. The book is beautifully produced with some quite gorgeous plates. In so many ways, it is a joy to behold and it is also a call to action. This is the culmination of many years of research and the expertise, erudition and style on display are quite breath-taking.”

The Atheist’s Bible. Diderot and the Éléments de physiologie by Caroline Warman (Open Book Publishers)

“This a very substantial book which examines the writing and reception of Diderot’s neglected Éléments de physiologie and is a pleasure to read. The study is based on exhilarating detective work and the breadth of scholarship to elucidate how Diderot was engaging with other thinkers of his time and, indeed, they with him, is simply outstanding. Early in the text Warman writes ‘As Diderot comments with a witty and virtuoso command of rhythm and onomatopeia, ‘un plat ouvrage nous endort comme le murmure monotone d’un ruisseau’. Warman’s prose and research does not produce a ‘flat piece of work’ - it jumps and marvels, it entertains and deeply enlightens.”

For the 2021 Prize, the R. Gapper Prize Jury received 47 titles — the highest number since the Prize was inaugurated — and the subject matter ranged from the medieval to the contemporary. The standard was impressive, and eight titles were short-listed for the final round. We offer our warmest congratulations to the authors of the other shortlisted books:

Medieval French Literary Culture Abroad by Jane Gilbert, Simon Gaunt, and William Burgwinkle (Oxford University Press)

Nathalie Sarraute. A Life Between by Ann Jefferson (Princeton University Press and Oxford)

Born to Write Literary Families and Social Hierarchy in Early Modern France by Neil Kenny (Oxford University Press)

Yves Bonnefoy and Jean-Luc Nancy. Ontological Performance by Emily McLaughlin (Oxford University Press)

Tragedy and nation in the age of Napoleon, Clare Siviter (Oxford University Studies in the Enlightenment)

The Purchase of the Past. Collecting Culture in Post-Revolutionary Paris c. 1790-1890 by Tom Stammers (Cambridge University Press)

The Society would like to acknowledge the ongoing and very generous support of the Gapper family and the hard work of the Jury.

Winner: Susan Harrow

Winner: Caroline Warman

The Society for French Studies is delighted to announce that the R. Gapper Book Prize for the best book in French Studies published in 2019 is awarded to the following book:

Ethics and Aesthetics in Contemporary African Cinema. The Politics of Beauty by James S. Williams, (published by Bloomsbury).

This deeply impressive work of scholarship represents a major contribution to the study of African cinema in French. It provides both a clear contextualisation of the legacies of film-making in sub-Saharan Africa and detailed engagement with the work of a new generation of filmmakers. The book offers a compelling reworking of the role of aesthetics and configurations of beauty in contemporary African cinema. Meticulously researched and referenced, it moves between context and theory and offers close and utterly persuasive readings. The book constructs a strikingly original critical framework and provides a welcome and important new approach to African cinema in French that will have a real impact within the field and beyond.

The Jury adjudged The Powers of Sound and Song in Early Modern Paris by Nicholas Hammond (published by Penn State University Press) to be the runner up.

The members were very much impressed by its elegance of style, by the excitement generated by its topic, by its delicious unfolding of meticulous research and by the application of sonic theories to 18th-century French culture and society.

Jeff Barda’s monograph, Experimentation and the Lyric in Contemporary French Poetry (Palgrave) was highly commended as an excellent thesis successfully transformed into an outstanding book on contemporary poetry.

The Jury and Society offers warmest congratulations to the authors of the three other shortlisted books:

Thomas Baldwin, Roland Barthes: The Proust Variations (Liverpool University Press)

Ian James, The Technique of Thought. Nancy, Laruelle, Malabou, and Stiegler after Naturalism (University of Minnesota Press)

Siobhán McIlvanney, Figurations of the Feminine in the Early French Women’s Press 1758-1848 (Liverpool University Press).

The Society thanks the members of the Jury: Dr. Patrick Crowley (Chair), Prof. Julia Dobson, Prof. Susan Harrow, Prof. Catriona Seth, and Prof. Margaret Topping.

It would like to note its sincere thanks to Prof. Susan Harrow who is stepping down from the R. Gapper Book Prize jury this year. Her eye for detail, her erudition and her collegiality, were much appreciated.

Winner: James S. Williams

Runner up: Nicholas Hammond

The Society for French Studies is delighted to announce that the R. Gapper Book Prize for the best book in French Studies published in 2018 is awarded jointly to the following two books:

Peter Dayan, The Music of Dada: A Lesson in Intermediality for our Times (London: Routledge, 2018)

Derek Offord, Vladislav Rjeoutski and Gésine Argent, The French Language in Russia: A Social, Political, Cultural and Literary History (Amsterdam: University of Amsterdam Press, 2018)

Peter Dayan’s study represents a world-leading contribution to Dadaist studies, to musicology, to intermedial modernism studies, and to intermedial aesthetics more generally – an adventurous interdisciplinary work of the highest order.

Derek Offord, Gésine Argent, and Vladislav Rjéoutski’s work is not only a model of co-authorship, but a ground-breaking study of immense scholarly distinction which makes a real contribution to the wider debate about what Francophonie is and was.

While we have not been able to celebrate the award of the prize at the Annual Conference which was due to take place in Bath, we hope to welcome our winners to the 2021 Annual Conference at Queen’s University Belfast.

A total of 22 books were received for the prize this year, and 7 were shortlisted. The shortlisted books were all of exceptional quality and we offer our warmest congratulations to those authors:

Sam Ferguson, Diaries Real and Fictional in Twentieth-Century French Writing (Oxford University Press)

Marine Ganofsky, Night in French Libertine Fiction (Liverpool University Press)

Charlotte Hammond, Entangled Otherness: Cross-Gender Fabrications in the Francophone Caribbean (Liverpool University Press)

Diana Holmes, Middlebrow Matters: Women's Reading and the Literary Canon in France since the Belle Époque (Liverpool University Press)

Gavin Parkinson, Enchanted Ground: André Breton, Modernism and Surrealist Appraisal of Fin-de-Siècle Painting (Bloomsbury)

Finally, the Society would also like to note its sincere thanks to Professor Jean Duffy and Professor John O’Brien, who are stepping down from the Gapper Book Prize jury this year, for their wisdom, insights and collegiality as members of the panel.

Winner: Peter Dayan

Winner: Derek Offord, Vladislav Rjeoutski and Gésine Argent

The Society is delighted to announce that the R. Gapper Book Prize for the best book in French Studies published in 2017 has been awarded to Professor Julian Swann of Birkbeck College, University of London, for his monograph:

Exile, Imprisonment or Death: The Politics of Disgrace in Bourbon France, 1610-1789 (Oxford University Press)

Details of the book can be found at: https://global.oup.com/academic/product/exile-imprisonment-or-death-9780198788690?cc=gb&lang=en&

We also offer our warmest congratulations to the authors of the other shortlisted books:

Conan Fischer, A Vision of Europe: Franco-German Relations during the Great Depression, 1929-1932 (OUP)

Tom Hamilton, Pierre de L'Estoile and his World in the Wars of Religion (OUP)

Shirley Jordan, Marie Ndiaye: Inhospitable Fictions (Legenda)

Winner: Julian Swann

Winner: Roger Pearson

Runner up: Helen Swift

Winner: Neil Kenny

Winner: Patrick McGuinness

Winner: Robert Mills

Runner up: ​Mairéad Hanrahan

Runner up: Joseph Harris

Runner up: Ann Jefferson

Winner: Christopher Prendergast

Winner: Siân Reynolds

Winner: Michael Moriarty

Winner: Judith Still

Winner: Ardis Butterfield

Winner: Alain Viala

Winner: ​Mark Greengrass

Winner: Christopher Prendergast

Winner: Eric Robertson

Winner: Maria C. Scott

Winner: Roger Pearson

Winner: Sylvia Huot

Winner: Clive Scott

Winner: Stephen Bann

Winner: David Baguley

Winner: Alex Hughes